About RIAA

Mitch Glazier is Chairman and CEO of the Recording Industry Association of America (RIAA). In his nearly 20 years at RIAA, Glazier has played a vital role in the music industry’s transition to streaming and “anywhere, anytime” access to music. Before joining RIAA, Glazier served as Chief Counsel for Intellectual Property to the Judiciary Committee in the U.S. House of Representatives under Chairman Henry Hyde. In his career in and out of government, Glazier has worked on every major copyright bill considered in the past three decades from the Digital Performance Right in Sound Recordings Act of 1995 to the Music Modernization Act of 2018, laying the foundation for the modern streaming economy that has strengthened and remade the music business for the 21st Century. A native of Illinois, Glazier served as law clerk to the Honorable Wayne R. Andersen, United States District Judge for the Northern District of Illinois, and practiced law at the Chicago firm Neal, Gerber & Eisenberg as an associate in commercial litigation. He graduated from Northwestern University and Vanderbilt Law School. Named to Billboard’s Power 100 list of top music executives, Glazier serves as Chairman of the Board of RIAA, Chairman of the Board of Musicians on Call, the charity that brings the healing power of music to the bedsides of patients in hospitals and health care facilities around the country, and serves on the Boards of IFPI, SoundExchange, Leadership Music and the Lutheran Church of St. Andrew in Silver Spring, Maryland. As a teenager in the 80s, Glazier’s room posters included Simple Minds and INXS. A fan of Chicago Blues, he was privileged to see Koko Taylor live several times before she passed. He and his wife, Carly, have two sons, ages 21 and 18 – one of them a songwriter, producer and musician himself – who constantly keep their parents in check with new music discoveries. Glazier’s goal: to foster respect for the power of music.

Michele Ballantyne is Chief Operating Officer of the Recording Industry Association of America (RIAA). As President and COO, Ballantyne manages the day-to-day operations of the RIAA. A driving force for updating intellectual property laws for the digital age, she has played an instrumental role in advocating for congressional reforms including the Music Modernization Act, the PRO-IP Act that established the nation’s first Intellectual Property Enforcement Coordinator in the Executive Office of the President, and the Higher Education Opportunity Act of 2008 that provided colleges and universities with meaningful tools to reduce the illegal downloading of copyrighted works on campuses. Before her time at RIAA, Ballantyne has worked in the highest reaches of government, including as Special Assistant to President Bill Clinton, Special Counsel to then-White House Chief of Staff John Podesta, and as General Counsel for Senator Tom Daschle. Ballantyne earned a B.A. from Carleton University in Ottawa, Canada, a Master’s Degree from George Washington University and her law degree from the Georgetown University Law Center. She is a member of the Steering Committee of the Ron Brown Scholar Program, which provides academic scholarships, service opportunities, and leadership experiences for African American students. Growing up, Ballantyne listened to an eclectic range of music including reggae, soca and dancehall, as well as Motown, classic rock and 80’s pop music. She feels lucky to have had the opportunity to see Prince and George Michael in concert. Her Jay-Z and Justin Timberlake fandom is legendary, although country artist Brett Eldredge is her not-so-secret passion – a constant source of bemusement to her husband and son.

Ken Doroshow is the Chief Legal Officer for the Recording Industry Association of America (RIAA). Doroshow is responsible for all of the RIAA’s legal affairs, including litigation, content protection, intellectual property enforcement, and regulatory matters on behalf of the RIAA and its member companies. Before joining the RIAA as its Chief Legal Officer, Doroshow was a partner in the law firm of Jenner & Block LLP, where he represented a broad range of media and entertainment clients with a particular focus on intellectual property enforcement and the First Amendment. In addition to his time in private practice, Doroshow served as the General Counsel to the Entertainment Software Association, as a prosecutor in the U.S. Department of Justice’s Computer Crime & Intellectual Property Section (CCIPS), and as a trial attorney in the Department of Justice’s Civil Division (Federal Programs Branch). Doroshow has been recognized as a leading media and entertainment lawyer by such publications as Chambers USA, Legal500, Variety, and Billboard.  Doroshow received his law degree from Cornell Law School, where he served as Note Editor of the Cornell Law Review. He served as a law clerk to the Honorable Joseph L. Tauro of the U.S. District Court for the District of Massachusetts. 

Morna Willens is the Chief Policy Officer for the Recording Industry Association of America (RIAA), the organization representing the nation’s major record companies. A C-suite executive who manages policy experts in Washington and state capitals nationwide, Morna is a steady, effective champion for creators and their rights. She leads RIAA’s advocacy at the state, federal and international levels; helping craft winning political solutions for the music industry’s most pressing problems from trade and tax to digital piracy and the breakneck rise of generative AI. Her team is on the cutting edge of issues that will shape our industry’s future – testifying and educating lawmakers, forging bipartisan consensus and making the case for pro-music creator policy, legislation and rules. With AI’s rapid speed, she is often behind-the-scenes getting the pulse on how to protect human creators and their life works while acknowledging a system that allows responsible and ethical innovation to both thrive. Morna has pushed for guardrails that promote innovation while protecting individuals from unauthorized use of their image and voice to create invasive deepfakes and provisions to help remove violating content – including Tennessee’s landmark ELVIS Act and ongoing efforts to pass the federal bipartisan NO FAKES Act. She has also helped build and maintain alliances with other music industry organizations, including the ongoing efforts of the Human Artistry Campaign – 180⁺ global organizations that believe in responsible innovation that supports human accomplishment. Throughout her career, Morna has also led music licensing reform legislation on Capitol Hill, working closely with Congressional leaders on the passage of the landmark Music Modernization Act, which updated digital royalty rates for satellite radio and delivered new protections to pre-1972 copyright owners and recording artists through the CLASSICS Act. Prior to her current role, she was a Vice President at the Glover Park Group advocating for clients on a variety of issues from copyright to renewable fuels and a legislative staffer to Representative John Shimkus, advising on telecommunications and technology issues including the landmark Telecommunications Act of 1996. Morna graduated from Northwestern University in 1994 with a Bachelor of Science in Communication Studies. The DC-based executive is a member of The Recording Academy, serves on the board of the American Irish State Legislators Caucus, and having paid many a college tuition, is avid fan of all BiG10 football teams. Much to the chagrin of her husband Todd, Morna’s eclectic road trip Karaoke selections – from Eazy-E to Kacey Musgraves – are a great source of pride in prepping their children for Gold in the eye roll Olympics.

Karen Bell is the Chief Financial Officer at the Recording Industry Association of America (RIAA). Since joining the RIAA in 2001, Bell has leveraged her financial and managerial expertise to advance the association’s strategic priorities and oversee administrative operations. With more than 20 years of experience in accounting and strategic planning, Bell is responsible for all aspects of the association’s financial management, information technologies and facilities operations. Prior to her tenure at the RIAA, Bell spent three years as an auditor with Calibre CPA Group, working with clients in the nonprofit sector and labor unions. Bell is a northern Virginia native and earned her Bachelor of Business Administration in accounting from James Madison University. She is a member of the Greater Washington Society of CPAs, the Finance and Administration Roundtable, Leadership Music, and serves on the Board of the Alliance of Artists and Recording Companies (AARC). Bell hesitantly admits her first concert was Vanilla Ice, albeit, in eighth grade. While she is the first to admit that she is not particularly vocally gifted, Bell never shies away from a karaoke night. Her go-to karaoke song: Bon Jovi’s “Livin’ on a Prayer.”